Cutlery refers to any hand implement used in preparing, serving, and especially eating food.

Aside of the functional aspect of tableware, silverware has always been and will perpetually be an ornamental figure. Conceived to pleasure the eye while fulfilling one of our most primary needs of food consumption and or squander. Cutlery is unique in its ability to sustain time and carries a remarkable family heritage. Sets of knifes, spoons, forks have been passed on from generation to generation all over the globe, traveling the whole world as a piece of personal history.

Key elements while designing this set was the notion of decay/processing, ornamental and aesthetic excess as in former rococo and barock times, moments of collapse/disequilibrium and a balance in between etiquette dining and painful torture tools. By subverting the logic of perfection and beauty, non-perfect images coming from controlled methodologies were generated. What used to be about mastering the result of a non-perfect process is now about the production of monstrosity and the grotesque throughout very accurate mechanisms, like 3d printing. Which creates an unlimited range of possibilities concerning material usage, design approaches/aesthetics and form production.

Blue version also available
Green version also available

This design balances on the edge in-between functionality, digital aesthetics, mass customisation and object Oriented Eclecticism. In contrast to contemporary thought and design, which views things as the aggregation or assembly of smaller bits and parts, in Object Oriented Design new objects emerge out of an ecology of interaction of multiple and heterogeneous objects. Through a process of formation or computation, highly differentiated, contradictory concepts and structures can become one object, without resulting in an incongruous collage.

The use of contemporary production techniques as 3d printing offers this design a substantial relevance, since it is designed throughout a series of semi automated steps. This would enable the creation of several geometrical variations and color schemes for this design, with the advantage of being able to print out customised vases on demand. All slightly different in erosion type or formation. Always following the same design rules, production time and all for approximately the same price. Economically this makes a lot of sense since their would not be any overstock needed like in other production methods, where prices only go down depending on a large amount of produced items.

Blue version also available
Pink version also available

This design balances on the edge in-between functionality, digital aesthetics, mass customisation and object Oriented Eclecticism. In contrast to contemporary thought and design, which views things as the aggregation or assembly of smaller bits and parts, in Object Oriented Design new objects emerge out of an ecology of interaction of multiple and heterogeneous objects. Through a process of formation or computation, highly differentiated, contradictory concepts and structures can become one object, without resulting in an incongruous collage.

The use of contemporary production techniques as 3d printing offers this design a substantial relevance, since it is designed throughout a series of semi automated steps. This would enable the creation of several geometrical variations and color schemes for this design, with the advantage of being able to print out customised vases on demand. All slightly different in erosion type or formation. Always following the same design rules, production time and all for approximately the same price. Economically this makes a lot of sense since their would not be any overstock needed like in other production methods, where prices only go down depending on a large amount of produced items.

this piece is MEN SMALL sized or
WOMEN LARGE sized

size Women MEDIUM also available

size Men MEDIUM also available
size Men LARGE also available

Not sure which size you need? Check out my Sizing Chart

An intricate bracelet, revolving around "Memento Mori", which is an artistic theme dating back to antiquity involving morbid symbolism. In this case, covered by digital aesthetics and contemporary production techniques.

The 925 Sterling Silver C-shaped design fits close to the skin. The final product is made using a two-step process. The products are created with a lost-wax casting process using a high-resolution 3D wax printer. After printing the wax model, the wax model is cast in plastic. The wax then melts out and silver is poured in the plaster mold.

Silver is very suitable for this bracelet since it is very strong yet allows some flexibility. If the bracelet would not fit totally according to your wrist you will still be able to make some final adjustments depending on the wanted opening, just as you would do with any other silver jewelry.

this piece is MEN MEDIUM sized

size Men SMALL also available
size Men LARGE also available

Not sure which size you need? Check out my Sizing Chart

An intricate bracelet, revolving around "Memento Mori", which is an artistic theme dating back to antiquity involving morbid symbolism. In this case, covered by digital aesthetics and contemporary production techniques.

The 925 Sterling Silver C-shaped design fits close to the skin. The final product is made using a two-step process. The products are created with a lost-wax casting process using a high-resolution 3D wax printer. After printing the wax model, the wax model is cast in plastic. The wax then melts out and silver is poured in the plaster mold.

Silver is very suitable for this bracelet since it is very strong yet allows some flexibility. If the bracelet would not fit totally according to your wrist you will still be able to make some final adjustments depending on the wanted opening, just as you would do with any other silver jewelry.