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SI-03: &quot;The Bad Woods&quot; by OPA 3d printed

Not a Photo

White Natural Versatile Plastic
SI-03: "The Bad Woods" by OPA 3d printed
SI-03: "The Bad Woods" by OPA 3d printed

Not a Photo

SI-03: "The Bad Woods" by OPA

Ships as soon as 6 days
3D printed in white nylon plastic with a matte finish and slight grainy feel.
Product Description
SI-03: "The Bad Woods" by Ogrydziak Prillinger Architects (OPA)  Final trash barge to Fresh Kills landfill

Ancient oysterfest

Conference House: site of failed Revolutionary War peace agreement

Last glacier terminates its southbound journey and melts

Nail salon #122

Prince’s Bay Lighthouse, once noted for being very clean

Stone Age hunter kills the last mastodon

Dutch envoy buys Staten Island for “duffles, kittles, axes, hoes, wampum” and other small trade goods

Skeletons keep turning up at Burial Ridge

Kinder Morgan Petroleum Terminal

Rossville point, state-of-the-art weapon circa 2,000 BC

Free Blacks cemetery hides 574 unmarked graves

Staten Island votes to secede from New York City

The Lenape called Staten Island Eghquhous, or “The Bad Woods.”  Why?  Bad in what way?  Souvenirs purport to help us remember a place. But at the far reaches of an island that calls itself the “Forgotten Borough,” the act of forgetting is perhaps what should be remembered. Our souvenir is a memento of the flow of time, the turning-over and covering-up of figures and events that continue to shape Staten Island Community District 3.  

Following our wayward unconscious, we accumulate our memory-images with a lack of discernment and a distrust of consistency. We’re drawn to mythic events as much as weak, or inadequate, symbols. Failure, banality, and things that are concealed have a special poignancy. Swirled together, geologic time, millennia of indigenous cultures, Dutch, British, and American epochs flicker in a timeless present. The past and present coexist as ghosts, all of whom think of themselves as eternal.

Subjective memory, like a souvenir, is necessarily reductive. Forgetting, or casting off information, is critical to the process of forming a clear image. But here, the murk of forgetting takes on a shape. The other figures fade. All reduces to a thicket of incomplete memories: The Bad Woods.
What's in the box:
7.79 x 7.96 x 7.62 cm
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3.07 x 3.13 x 3 inches
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Mature audiences only.
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